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审视空间的最大化

言昱室内设计研究室是一家以室内设计为核心的专业设计机构，主要涉及：艺术展览空间、精品酒店、商业公共空间、主题餐厅、私人住宅定制为主的多元化设计机构，我们始终坚持：简约、自然、潮流的设计风格，具备敏锐的视觉审美，致力于研究细节、工艺、材料，探索替代材料的利用，从环境的角度和人的需求出发，审视空间的最大化，不断需求独特的设计语言。

01

设计实景

Design reality

空间如一张素净的和纸，褪去所有繁杂的装饰，仅以材质本身的温润肌理，悄然传递出自然本真的质感，仿佛将山间晨雾的柔和与大地的沉稳，揉进了空间的每一寸肌理之中。

这种“无饰却含韵” 的基底处理，并非刻意留白，而是为后续物体的介入预留 “生长空间”—— 当陈列载体、装饰元素与服饰进入空间时，周围的空白便自然转化为可被感知的 “环境”，让人在步入空间的瞬间，便能体会到“服装与空间共生” 的独特韵律。

Space is like a sheet of unadorned washi paper, stripped of all superfluous decoration, conveying the authentic texture of nature solely through the gentle grain of its material. It is as if the softness of mountain mist and the steadiness of earth have been subtly woven into every fibre of the space.

This kind of unadorned yet evocative base treatment is not deliberate emptiness, but rather a reserved space for growth for the objects to come. When display elements, decorative features, and clothing enter the space, the surrounding void naturally transforms into a perceptible environment. Upon stepping in, one immediately senses the unique rhythm of garments and space growing in harmony.

设计师笔记

Designer notes

偶然的一次在成都的逛店经历--Hug麓湖店，他们的展陈方式对于我们此次设计的开始对我有所启发。

服装陈列的货杆是构建空间的基本骨架，每一件货杆的放置都经过精准考量，通过物体的集聚与连接，形成层次分明的空间秩序。核心展示系统似山间生长的细木，以轻盈的线条勾勒出陈列轮廓，褪去传统承载结构的厚重感。

陈列结构以简洁线条勾勒轮廓，成为展示品的“舞台框架”；陈列台散落，营造出可供停留、交流的空间节点，它们彼此连接、呼应，逐步构建出完整的空间环境，让 “场所” 从概念落地为可感知的实体，诠释着 “物是制造环境基本条件” 的要义 。

A chance visit to the Hug store at Laku Lake in Chengdu provided some initial inspiration for our current design project.

The clothing display rods are the basic framework for constructing the space. The placement of each merchandise pole has been precisely considered. Through the aggregation and connection of objects, a distinct spatial order is formed. The core display system is like slender trees growing in the mountains, outlining the display profile with light lines and shedding the heaviness of traditional load-bearing structures.

The display framework, defined by clean lines, acts as a stage setting for the showcased items. Display units are thoughtfully scattered to create points for pausing and interaction. These elements connect and echo one another, gradually constructing a cohesive spatial environment. This turns the abstract concept of place into a tangible reality, embodying the principle that objects are the fundamental building blocks of atmosphere.

— — 任虹霏 Tamsin

01.

以“石” 为韵，释放空间张力

Unleashing spatial tension with stone as the rhyme.

万物生变的演化之道

穿织于衣物经纬间

跟随空间流线的引导

编织起伏的节奏

行径随之起伏显现服装与空间的交融

The dao of perpetual transformation

Weaves through the very warp and weft of garments

Guided by the contours of space

It rhythms rise and fall

Along a path that reveals, step by step, the fusion of attire and environment

02.

与“白”共生，构建情感场域

Co-existing with White: Forging a Realm of Emotion

白是隐性的“容器”

二者相互成就

白因物的投影而具故事性

空间就不再是冰冷的空间场域

而是承载时间、光影、人文感知的生命体

White acts as a subtle ‘vessel’

each element giving meaning to the other

Imbued with a narrative by the shadows of objects

the space ceases to be merely a void. It transforms into a living body

imbued with time, light, and human sentiment

白并非“空无一物”，而是以 “无” 承载 “有”。它们如素笺，等待观者目光与物体、光影共绘想象；就像日本思想中对空间的理解，无物时似“空”，有物后余白便成为可被解读、可容纳情绪与思考的弹性空间，与物共生，孕育充实。

White is not mere emptiness, but rather embodies the positive significance of absence.It acts like pristine paper, awaiting the gaze of the observer to co-create a narrative with objects and light. Much like the Japanese concept of space, it may seem void when empty, but once objects are introduced, the remaining white transforms into a flexible space—open to interpretation, capable of holding emotion and thought. It exists in symbiosis with the objects, fostering a sense of fullness.

03.

以“服装” 为笔，编织空间脉络

Garments as the quill that composes the textural narrative of space.

我们以服装为笔

余白为墨

书写空间的诗意

让往来者于服装的集聚里

触摸设计的温度

在白的呼吸中感受空间张力

We take garments as our pen

And the void as our ink

To inscribe the poetry of space

Thus, visitors may, amidst the gathering of apparel

Trace the texture of design,And within the breath of white, feel its subtle tension

当物体与余白相互交织、彼此连接，便形成了具有情感温度的“环境”。物与白持续对话、共生，演绎东方哲思与现代设计的交融。西方“场所先于物存在” 的认知，在此被转化为 “物与白共同定义空间”

The fusion of object and void creates an ‘environment’ with a distinct emotional temperature. Their continuous interaction embodies a fusion of Eastern philosophy and modern design. It challenges the Western idea that “a site exists prior to its contents,” proposing instead that “object and void jointly constitute the space.”

04.

以“木” 为韵，释放空间张力

Wit leitmotif, spatial tension is gently released

开阔的空间流线

使往来者行走时能感受节奏

不被压迫

让光影肆意流淌

随时间变换切割空间

营造出动态的空间韵律

The open flow of space

allows visitors to perceive a natural rhythm as they move,

free from any sense of constraint.

Light and shadow are encouraged to drift freely,

carving and reshaping the space with the passage of time,

thus creating a dynamic spatial poetry.

每一次驻足、每一眼凝视，都成为与空间与服装的深度对话，重拾对“场所” 与 “感知” 的本真思考 。

Each moment of pause and observation initiates a thoughtful dialogue with the space and the attire, prompting a return to the essential nature of setting and awareness.

02

创作团队

Creative team

项目名称：UNITED NAOMI服装供应链展厅

项目地址：广东深圳

设计公司：AeonSpan Studio

主持设计：王言、任虹霏

设计团队：杨弢、刘浩

室内面积：2000㎡

项目类型：服装展厅

完成时间：2025

施工单位：山西品匠筑品装饰工程有限公司

道具、木制品：上海中耕装饰设计有限公司

木地板：集木地板研究室

地毯：上海学臻实业有限公司

灯光：SION lighting鑫蓥照明

门、隔断、卷帘：南京诺苏新材料有限公司

摄影：屳摄影-Xian space

Project Name: UNITED NAOMI Apparel Supply Chain Exhibition Hall

Project Location: Shenzhen, Guangdong

Design Firm: AeonSpan Studio

Design Directors: Wang Yan, Ren Hongfei

Design Team: Yang Tao, Liu Hao

Indoor Area: 2,000 ㎡

Project Type: Apparel Exhibition Hall

Completion Time: 2025

General Contractor:Shanxi Pinjiang Zhupin Decoration Engineering Co., Ltd.

Props - Woodwork:Shanghai Zhonggeng Decoration Design Co., Ltd.

Wood Flooring:Jimu Flooring Laboratory

Carpet Supplier:Shanghai Xuezhen Industrial Co., Ltd.

Lighting:SION Lighting (Xinying Lighting)

Doors, Partitions - Roller Shades:Norsu New Materials (Nanjing) Co., Ltd.

Photography:Shooting Space - Xian

设计共壹体

言昱室内设计研究室

公司自2016年成立至今,由空间设计师王伟龙和任虹霏联合创办。以“设计创造价值”为核心理念，追求设计作品从概念构思到最终建成的高品质设计方案，从环境的角度和人的需求出发，审视空间的最大价值，不断寻求独特的设计语言。

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