脱颖而出的艺术性，

释放创造力。

设计师手记

脱颖而出的是

它的艺术性

建筑外壳成为一个原始的画布

使用材料和家具的调色板

来释放他们的创造力

利用手工艺，流线美学

建立了一个温暖和欢迎的氛围

Lolita Eipprova咖啡馆

Lolita Eipprova

Café

Lolita Eipprova咖啡馆和糕点店位于斯洛文尼亚卢布尔雅那老城外，在Gradaščica河旁边的一条绿树成荫的街道上，其迷人的环境为大胆融合建筑、手工艺和艺术的手工室内装饰拉开了序幕。

Located just outside the old town of Ljubljana, Slovenia, on a leafy street next to the Gradaščica river, Lolita Eipprova Café - Patisserie’s charming setting is a fitting prelude to the artisanal interiors that boldly blend architecture, handicraft and art.

由当地建筑事务所TRIIIJE的主任Andrej Mercina构思，作为一个可持续的gesamtkunstwerk，或整体艺术作品，该空间是回收材料、再利用的家具和斯洛文尼亚视觉艺术家Jaša Mrevlje-Pollak的艺术装置的混合体，与该物业的百年建筑结构艺术地结合在一起。

Conceived by Andrej Mercina, director of local architectural practice TRIIIJE, as a sustainable gesamtkunstwerk, or total work of art, the space is an amalgamation of recycled materials, re-used furniture and an artistic installation by Slovenian visual artist Jaša Mrevlje-Pollak, artfully integrated with the property’s centuries-old building fabric.

这种实践方法的结果是一个感觉像是在现场自发制作的场地，而且在某种程度上它确实是这样。

The result of such a hands-on approach is a venue that feels like it has been spontaneously handcrafted on the spot, and in a way it has.

“No one can draw this, no 3D visual can illustrate it”, Mercina explains, adding that the project has been mostly designed on-site in direct collaboration with local craftspeople.

由于可持续发展是项目的核心，TRIIIJE团队从建筑工地以及其他建筑工地和二手供应商那里尽可能多地重新利用材料，与传统的装修相比，对新材料的需求减少到30%以下。

With sustainability positioned at the very heart of the project, the TRIIIJE team repurposed as many materials as possible from the building site as well as other construction sites and second-hand suppliers, managing to reduce the need for new materials to less than 30% compared with a conventional fit-out.

但是，使这个改造项目脱颖而出的是它的艺术性，建筑外壳成为一个原始的画布，让团队使用回收材料和家具的调色板来释放他们的创造力。

But what makes this renovation stand out more than anything is its artisanship whereby the building shell became a raw canvas for the team to unleash their creativity using a palette of recycled materials and furnishings.

暴露的砖石墙充满了裂缝、污渍、剥落的灰泥和碎裂的墙角，并穿插着瓷砖，其中一些是原来就有的，而另一些则是在地下室发现的废弃瓷砖，还有用另一个建筑工地上的镶木地板制作的木板，以及用抽象的几何形状重新制作的镜子。

Exposed masonry walls full of cracks, stains, peeling plastering and chipped corners are interspersed with ceramic tiles, some of which were originally there while others were found discarded in the basement, along with wood panelling crafted out of parquet flooring found on another construction site, and repurposed mirrors rendered in abstract geometric shapes.

窗帘和由各种织物制成的班台座椅软垫增加了更多的图案，还有由重复使用的刨花板、胶合板和纺织品制成的定制壁挂式靠背。从当地跳蚤市场采购的复古瓷杯和盘子的大杂烩，进一步增强了场地的特异魅力，而复古的Thonet曲木椅与TRIIIJE的Maja Humar设计的定制桌子搭配，则让人联想到巴黎小酒馆的优雅。

Curtains and banquette seating upholstery made from assorted fabrics add yet more patterns as do bespoke wall-mounted backrests made from reused chipboard, plywood and textiles. A hodgepodge of vintage porcelain cups and plates sourced from local flea markets further enhances the venue’s idiosyncratic charm while vintage Thonet bentwood chairs paired with bespoke tables designed by TRIIIJE’s Maja Humar conjure the elegance of Parisian bistros.

La Tartane酒店

La Tartane Hotel

"我在阳台上给你写信，我刚刚在那里与大海共进早餐。这是你告诉我的天堂：人们都很愉快；阳光很温暖"。法国作家雷蒙德-拉迪盖1920年2月在法国里维埃拉给艺术家让-雨果的信中这样写道。

“I am writing to you from the terrace, where I have just had my breakfast in cahoots with the sea. It is the paradise you told me of: the people are delightful; the sun is warm.” Thus began French author Raymond Radiguet’s letter to artist Jean Hugo from the French Riviera in February 1920.

拉迪盖的热情得到了众多艺术家、作家、社会名流和外籍人士的认同，他们在20世纪20年代和30年代涌入蔚蓝海岸，被地中海的阳光、温和的气候和田园诗般的自然环境所吸引，也被热情洋溢的派对、艺术创造力和无忧无虑的生活方式所吸引。

Radiguet’s enthusiasm was shared by a bevy of artists, writers, socialites and expats who flocked to the Côte d’ Azure during the 1920s and 30s, swept up as much by the Mediterranean sun, mild climate and idyllic natural setting, as by the effervescent parties, artistic creativity and carefree lifestyle.

巴黎Nonoire设计工作室的创始人Jordane Arrivetz在对圣特罗佩的La Tartane酒店进行改造时，正是将这种悠闲的魅力、享乐主义的狂热和不加修饰的优雅不可言喻地结合起来。

It’s this ineffable combination of laidback charm, hedonistic exuberance and unfussy elegance that Jordane Arrivetz, founder of Parisian design studio Notoire, has nostalgically channelled in the renovation of La Tartane Hotel in Saint-Tropez.

这家五星级精品酒店被设想为 "一个真正的家庭度假之家--一个清新、愉快、活泼的地方"，它摒弃了当代豪华酒店的华丽、流线型美学，而采用了家庭般的氛围、优雅的简约和手工工艺，体现了法国里维埃拉昔日传奇的度假别墅的精神。

Conceived as “a real family vacation home—a fresh, cheerful, lively place”, the five-star boutique hotel eschews the glitzy, streamlined aesthetic of contemporary luxury hospitality, for a homely ambience, elegant simplicity and artisanal craftsmanship in the spirit of the French Riviera’s storied holiday villas of yesteryear.

酒店坐落在一个郁郁葱葱的地中海花园中，设计得像一个普罗旺斯村庄，酒店的27间客房和套房分布在六个小房子里，这些房子是以战时法国里维埃拉

给大家推荐一个超棒的视频号

全球设计美学

该视频号动态不可引用