既见君子

云胡不喜

深夜点一盏灯

权当是借了二两月色

项目地点/浙江杭州

location/Zhejiang Hangzhou

项目面积/189㎡

Area/189㎡

设计团队/為设计

Design Team/For You Design

主案设计/朱可 春夏

Principal Designer/Zhuke

Chunxia

表现设计/Trendy_Chigga

Performance/Trendy_Chigga

LIVING ROOM

客厅

客厅是这个家的心脏，也是情绪的起点。所有目光的第一落点，是那座巨型白色几何浮雕的壁炉，它从底部的自然系地台生长而出，一路延伸至顶，质地粗粝而秩序井然，像一幅被立起来的艺术品。

The living room beats as the home's heart and the birthplace of its every emotion, and the eye's first anchor is the towering white geometric fireplace—a sculpted relief that grows from an earthy podium below and ascends to the very top, its surface raw and rugged yet its rhythm flawless, standing before you like art made vertical.

壁炉左侧，Akari E吊灯以另一种姿态回应着空间的雕塑感。光会老，纸会黄，纸褶里藏着温度，柔软地，与时间同谋。

To the left of the fireplace, the Akari E pendant lamp echoes the space's sculptural sensibility on its own terms—light may dim, paper may age, but the warmth folded into its creases endures, gently, in quiet conspiracy with time.

野口勇的Akari纸灯垂落于高挑空的客厅正中，和纸纤维滤出的光温润哑光，像月光被谁伸手摘了下来，挂在人间。

At the very center of the soaring living room hangs Isamu Noguchi's Akari paper lamp, its light filtered through mulberry-fiber paper into a warm, matte glow—as if someone had reached up, plucked the moonlight from the sky, and hung it here among mortals.

那道弧形大拱，是为了遮掩一根无法拆除的承重柱。设计最动人的地方，往往不是创造，而是成全。柱子被书架的木质筋骨温柔包裹，它成了视线自然停留的地方。

The sweeping arch exists to hide an immovable load-bearing pillar—yet design's deepest poetry often dwells not in making, but in yielding; and so the pillar, now softly embraced by the wooden framework of the shelves, has become a point of quiet focus where the gaze lingers without effort.

如果说木质旋转楼梯是空间的骨骼，那么夹层回廊扶手那道大曲线近乎雕塑，黑色细栏杆穿插其间，利落如墨线，托住整座楼梯的呼吸。

If the wooden spiral staircase serves as the skeleton of the space, then the sweeping curve of the mezzanine corridor's handrail is almost sculptural in itself, with slender black balusters interspersed throughout—clean and sharp as ink strokes—bearing the very breath of the staircase.

洞石大理石贯穿门套与线条，配合法式雕花双开门的优雅，恍惚间，像走进巴黎老公寓的旧梦。

Travertine marble runs through the door frames and moldings, complementing the grace of French carved double doors, and for a fleeting moment, one might almost feel as though stepping into a bygone dream of an old Parisian apartment.

STUDIO

工作室

夹层是一个容纳四到六人的工作室，米黄肌理墙面与木饰面叠合，阳光穿过落地玻璃门倾泻而入。身在深处，却拥有了光。

The mezzanine accommodates a studio for four to six, where cream-textured walls meet wood veneer in layered harmony, and sunlight pours in through the floor-to-ceiling glass doors—so that even in the depths of the house, one is possessed by light.

推门而出，是下沉式庭院，米黄色外墙漆与水泥板墙面相对而立，粗糙的肌理带着度假般的松弛，室内与室外彼此穿过，像风穿过一扇敞开的窗。

Pushing open the door leads to a sunken courtyard, where creamy-yellow exterior paint and cement-paneled walls stand face to face, their rough textures carrying a holiday-like ease, and indoors and outdoors pass through one another—like wind drifting through an open window.

STUDY

书房

穿过玻璃格子双开门，抵达书房。这是一个专门留给毛笔和宣纸的角落，安静到能听见墨在砚台上化开的声音。窗外造景植物疏落，白色钢架楼梯矗立其间，简洁如一首来不及修饰的短诗。

Passing through the glass-paneled double doors, one arrives at the study—a corner reserved solely for ink brush and rice paper, so quiet that one can almost hear the ink dissolving against the inkstone; beyond the window, the planted landscape stands in sparse arrangement, while a white steel-framed staircase rises amid it all, clean and spare as a short poem left unpolished.

DRESSING ROOM

衣帽间

衣帽间是旅程的终点，通铺的木饰面让这个空间不像是收纳的场所，更像是一间安静的木质盒子，衣物垂挂其间，仿佛也有了被珍重的姿态。

The walk-in closet marks the journey's end, where wood veneer flows across every surface, making this space feel less like a place of storage and more like a quiet wooden box, with garments hanging within as though they too have been granted the grace of being cherished.

月盏不是关于拥有，它是一封写给时光的信。月亮不是挂在天上，是悬在客厅中央，而每一个走进来的人，都成了月光的一部分。

The moon-lamp is not about possession—it is a letter written to time itself; the moon is not suspended in the sky, but hung at the heart of the living room, and every soul who steps inside becomes part of its light.