Clover Beauty Artistic Fable| 艺术性寓言

Location | 项目地点

福建厦门

Project Team | 项目团队

梦加网络

Chief Design | 总设计

陈辉

Interior Design | 室内设计

俞千千 胡慧 叶忠鹏

Soft Decoration Design | 软装设计

廖小燕 林滢

Project Construction | 项目施工

福建实丰建设  郭建明 李福贞

Soft Decoration Execution | 软装执行

福州天慕美学 范喜林 吴慧蓉

Device Execution | 装置执行

华塑

Photographer | 摄影师

李玲玉

Project Writing | 项目撰文

无远文字/月球

关于“人类与环境相互关系”的探讨，维克多·弗兰克尔论述为“人类渴望理解、支配和控制的环境，并最终创造环境。”此处“环境”的定义并非常规意义上的单一名词内涵，或者物理存在的空间本身，也可能是一种虚构的梦幻空间和具身体验的媒介，从而指向更广域的、多维度的概念表达。

Viktor Frankl discusses the "relationship between human and environment"as "human beings desire to understand, dominate and control the environment, and ultimately create the environment." Here, the definition of "environment" is not a single noun connotation in the conventional sense, or the space of the physical existence itself. It may also be a kind of imaginary dream space and the medium of embodied experience, thus pointing to a broader and multidimensional concept expression.

作为“造梦者”的国游民族领军品牌，梦加网络专注于打造“有情怀、有信仰、有温度、有深度的中国原创游戏精品”，始终一贯的“工匠精神”体现于人物的精心设计、场景的巧妙搭建、故事的生动设定、游戏的规则主张、乃至背景音乐的情绪渲染等，以匠心出品而为业界和游戏玩家所熟知。

Considering itself as a "Dream Maker", a leading brand in the Chinese game industry, Mechanist always focuses on creating quality games which "have feelings, have faith, have temperature and have depth". The consistent "craftsman spirit" is reflected in the elaborate design of the game characters, the ingenious construction of scenes, the vivid setting of stories, the carefully designed mechanisms, and even the emotional rendering of background music, etc., which has already become well known to the industry and game players.

飞鱼装置

Flying Fish Installation

1505年，醉心于人类机械飞行可能性研究的达·芬奇撰写了一份手稿，后被命名为鸟类飞行器（Codex on the Flight of Birds），展示重力、风和气流对鸟类飞行的作用和影响，同时通过文字详细地推演、分析、描述鸟类如何在此过程中保持平衡、运动、控制方向、俯冲和上升。

In 1505, Leonardo Da Vinci, who was fascinated by the possibility of the human mechanical flight, wrote a manuscript which was later named Codex on the Flight of Birds, showing the effects of gravity, wind and airflow on the bird flight. At the same time, the author deduces, analyzes and describes how birds keep balance, move, control direction, dive and rise in this process.

倘若鸟儿在御风飞行时，其本身下降的重力与气流倘若力量相当，那么它不再上升或下降，而是维持不动。这种空中展翅悬停的瞬间，成为“飞鱼”装置的灵感来源，并被十上设计巧妙地捕捉，通过赛博朋克的美学语言和极具工业感的金属材质，来演绎其空中静止于一瞬但搏击长空的姿态，精妙的寓意了梦加网络的凌云之志。

If a bird is flying against the wind and its own gravity is equivalent as the current, it no longer rises or falls, but remains stationary. The moment of hovering in the air is cleverly captured by the Clover Beauty. With the aesthetic language of cyberpunk and the metal material with a strong sense of industry. The fighting posture of the device hovering above subtly resembles a strong ambition of the company.

赛博自然

Cybernature

除了传统意义上的“大自然”之外的“第二自然”，即人类和机器共同构成的特殊环境，被肖恩·库比特定义为“赛博自然”。在梦加网络开发的ARPG游戏《蒸汽之城》里，“赛博自然”呈现在以机械大陆为中心城市的“纳克瑟斯”，这里曾因科技一度繁荣而又日渐衰退。

In addition to “nature” in the traditional sense, the “second nature”, that is, the special environment composed of human and machine, is defined by Sean Cubit as “Cybernature”. In “City of Steam”, an APRG game developed by Mechanist, “Cybernature” is presented in Naxus, a city centered on the mechanical continent that has thrived and now declining along with the lost of technology.

飞鱼装置、裸露的结构、齿轮、极具考究的细部构件、蒸汽工业等元素，构成梦佳网络办公空间的主要设计灵感。虚拟往往是现实的镜像、是他者和自我的情境转换，十上设计借以真实的场景建构来回应品牌的意识形态和商业属性。

Elements such as fish installation, exposed structure, gear, exquisite details and steam industry constitute the main design inspiration of the office space of Mechanist. Virtuality is often the mirror image of reality and the situational transformation of the other and self. The design responds to the brand’s ideology and commercial attributes through the construction of the real scenes.

诚实设计

Honest Design

作为梦加网络新的办公场所，整体由三层垂直联系的空间组成。访客从独立的电梯厅进入北侧大厅，此处承担着接待、等候、企业文化展示等复合的功能，而视觉中心则完全被雕塑感的楼梯所吸引，并以梦加红为品牌色局部点缀着不同的构造细部。

As the new office of Mechanist, the whole structure is composed of three vertically connected spaces. The visitors enter the north of the hall from the independent elevator hall, which is responsible for the reception, waiting, corporate culture display and other complex functions, while the visual center is completely attracted by the sculptural staircase, and the Mechanist’s red brand color is partially dotted with different structural details.

“粗野主义”词汇源于法语短语“bétonbrut”，最早出现于20世纪中期，其风格主张体现混凝土的原始肌理和真实结构，无需过多的修饰，精确比例关系的控制，宣扬建筑的朴素和诚实，以及有序的错乱、叠加、裂变的审美趣味。

The term “Brutalism” was originated from the French phrase “bétonbrut”, which originally appeared in the middle of the 20th century. Its style advocates reflecting the original texture and real structure of concrete, without too much decoration or the control of the precise proportion and relations, it advocates the simplicity and honesty of the architecture, and the aesthetic taste of the orderly disorder, superposition and fission.

关于结构本身，它涉及到：1，泛指任一建筑物的整体；2，建筑物的支撑系统，有别于建筑物的其他要素，如装饰、饰面或设备；3，使绘制的方案、建筑物群或整个城市和区域可被理解的图式。裸露的结构表现出一种诚实，使设计回归到功能需求、原始状态和直接的意愿表达。

As for the structure itself, firstly, it generally refers to any building as a whole; secondly, the supporting system of the building as distinct from other elements of the building, such as the decoration, veneer or facility; thirdly, the schema that makes comprehensible a drawn scheme, group of buildings or entire city and region. The bare structure conveys an honesty that returns the design to functional requirements, primitive states and direct expressions of intention.

大厅西北侧水吧区与阶梯多功能区，因起伏的台阶而构成有效的连接，形成功能的相互补充，满足平时的分享、交流互动、下午茶歇等。几何的结构形体被解构之后，又被重新置放原处，随处可见的几处色彩鱼跃于水平横向的空间，表现出十足的灵动活泼。

The water bar area on the northwest side of the hall and the multi-functional area of the stairs make up an effective connection due to the undulating steps, forming a mutual complement of functions to meet the usual sharing, communication and interaction, afternoon tea break, etc. After the geometric structure is deconstructed, it is re-placed in its original place. Several colors can be seen everywhere, leaping in the horizontal and transverse space, showing full of clever and lively.

情状与情动

Situation And Emotion

错综复杂、灵活多变的路径设计，围绕飞鱼装置展开，我们无论行进于何处，举目而望，都能欣赏到飞鱼装置不同角度的动态美感。主题营造与路径相并行，巧妙的紧密联系，通过物质的身体，于空间之中获得丰富的五感体验。

The intricate and flexible path design is carried out around the fish device. No matter where we go, we can appreciate the dynamic beauty of the fish installation from different angles. The theme is created in parallel with the path, and is cleverly connected. Through the physical body, rich experience of five senses can be obtained in the space.

电梯厅的另一端，从南侧通道拾级而上，一级抬高连接着内外空间，于对景logo墙背后进入多功能区。圆形的几何体置入呼应北侧大厅的形体语言，同时有如时空的穿梭，在主题色彩的渲染下，情绪产生积极的回应。

The other end of the elevator hall, from the south channel step by step, a level of elevation connects with the internal and external space, in the scene behind the logo wall into the multi-functional area. The circular geometry is placed in response to the body language of the hall on the north side. At the same time, it is like a time and space shuttle. Under the rendering of the theme color, the mood produces a positive response.

“情状与情动”表达两种不同的状态，“情状”描述静态的瞬间定格，你可以静立之后认真观察、揣摩；而“情动”则演绎着动态的感知，声情并茂的立体感受迎面扑来。相对静止与绝对运动，既是一种辩证关系，也是多元共存的有机方式。

“Mood and emotion” expresses two different states, “mood” describes the static instant freeze, you can stand still and observe and ponder; And “emotion” is the interpretation of dynamic perception, sound and three-dimensional feelings of the head on. Relative stillness and absolute motion are not only a dialectical relationship, but also an organic way of the multiple coexistence.

灵境的真实性

The Authenticity Of The Spiritual Realm

虚拟现实又称之为灵境，是基于High tech建构出的人造心理空间，以“失序、失重、失真”的多维度表现形式来追求“反常规、以不完美为美”的美学态度，具有朋克主义精神和自我意识性的觉醒。

The virtual reality, also known as the spiritual realm, is an artificial psychological space constructed based on the High Tech. It pursues the aesthetic attitude of “anti-conventional and imperfection” with the multi-dimensional expression form of “disorder, weightlessness and distortion”, with the spirit of punk and the awakening of self-consciousness.

及至楼上，梦加红的楼梯显现出鲜明的个性特征，除了具体的功用之外，与原有结构脱离开来，自成一体，强调雕塑感、和连桥的魅力。另一侧由下而上的中心筒滑梯，创造了新的趣味动线，给硬朗、冷峻的办公空间增添了一定的柔软和戏剧性的幽默感。

From the upper floor, the “Mechanist red” stairs show the distinct personality characteristics. Apart from the specific functions, they are separated from the original structure and becomes an organic whole by themselves, emphasizing the sense of the sculpture and the charm of the bridge. On the other side, the central tube slide from bottom to top creates a new interesting moving line, adding a certain softness and dramatic sense of humor to the hard and cold office space.

梦加网络21F平面布置图

梦加网络22F平面布置图

梦加网络23F平面布置图