时光盲目有深意

Timeisblindandfullofmeaning

我只愿你是自己

Ionlywishyouwereyourself

在这个物质丰盛

自豪于效率的时代

我们似乎拥有了一切

却唯独缺少时间

所谓时间造物，美在久养，而“养”

正是东方哲思中与时间对话的生活智慧

是东方人居的重要精神内核

In this material abundance

Proud of the era of efficiency

We seem to have it all

But there is only a lack of time

The so-called creation of time, beauty in the long-term maintenance, and "nourishment"

It is the wisdom of life in the Eastern philosophy that speaks to time

It is an important spiritual core of Oriental Habitat

石缝间的水流四通八达的交织，泛起清冷干净的水汽和薄雾，池中枝干虬屈无端倪，平淡中透着沉郁的韵致。从旁边走过，不由放慢脚步，静下来，用心观察周遭事物，自然而然地抛去繁杂事物，使身心融入其中，沉心静气。

The water flow between the stone crevices is intertwined in all directions, and the cold and clean water vapor and mist are flooded, and the branches in the pool are bent for no reason, and the dullness is permeated with a deep rhyme. Walking by the side, I can't help but slow down, calm down, observe the surrounding things with my heart, naturally throw away complicated things, so that the body and mind can be integrated into it, and the mind is calm.

日常生活与审美文化之间边界的消弭，让设计不再是某一类可以清晰界定的风格概念，而是柔和模糊，包容变化。我们通过艺术化、历史化的视角带来空间与生活的双向互动。

The elimination of the boundary between daily life and aesthetic culture makes design no longer a certain type of style concept that can be clearly defined, but soft and vague, inclusive of change. We bring a two-way interaction between space and life through an artistic and historic perspective.

美，不存在于物体之中，而存在于物与物产生的阴翳的波纹和明暗之中。

在越来越多一致的“艺术化”设计中，设计不是单纯的艺术，而是历史、地域、空间、结构综合的沉淀与思考进行的一种再创造。

Beauty does not exist in objects, but in the ripples and light and shade of the shadows produced by things and things.

In more and more consistent "artistic" design, design is not simply art, but a kind of re-creation of history, region, space and structure synthesis of precipitation and thinking.

空间塑性基于历史的空间语汇，以现代手法引入历史的建筑元素，使空间美学达到极致，让进入者在精神层面被感知；基于入口的设计形式展开，穿过半月形门洞，犹如是由古代穿越到现代，而半墙面的造型建立，描绘了公共与私密，流动与静谧的永恒空间。

Spatial plasticity is based on the spatial vocabulary of history, introducing historical architectural elements in a modern way, so that the aesthetics of space reach the extreme, so that the entrant is perceived at the spiritual level; the design form based on the entrance unfolds, through the half-moon-shaped door opening, as if from ancient to modern, and the shape of the half-wall is established, depicting the eternal space of public and private, flow and tranquility.

如果不能赋予空间第二次生命，

那不如让它保持原始的美！

SANSTONE

DESIGNERWECHAT