新作 . 木子仁 | 隐于市井未来之间

发布时间：2024-03-31

结构美学

图文模式多图模式

△木子仁出品

心的居所

Home of the heart

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设计师在思考，一座房子能打动我，是房子本身？是空气，是纹理，是材质，是搭配，是功能，是形式、、、还是什么？在考虑和考量这所房子的居住者的心意，他的感受，他的想法，他对房子的期待，居住者心境和盼望。

Designers are thinking, when a house can move me, is it the house itself? Is it the air, is the texture, is the material, is the collocation, is the function, is the form,, or what? In considering and considering the thoughts of the residents of the house, his feelings, his thoughts, his expectations of the house, the mood and hope of the residents.

△客餐厅|质感空间

设计师对住宅结构和动线进行重整，在满足居住者衣食住行基本需求的基础上，建造出自由和简洁，简单不失精致的规划，让居住者成为空间的主角，创造出居者和环境的平衡相处画面

The designer restructured the residential structure and moving line of the residence. On the basis of meeting the basic needs of the residents' food, clothing, housing and transportation, he was free and simple, so that the residents can become the leading role of the space and create a balanced picture between the residents and the environment

△会客厅|舒适的体验

从空间美学角度及功能性思考，兼顾到空间温暖度和家的轻盈与轻松感，住宅中使用自然的材质，木饰面温润的木色，乳胶漆简约的白，烤漆温润的质地

From the perspective of space aesthetics and functional thinking, taking into account the warmth of the space and the lightness and ease of the home, the residence uses natural materials, the warm wood color, the simple white latex paint, the warm texture of the baking paint

空间美学

DSpace aesthetics

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对一眼看到的视觉空间作重新梳理，去掉华而不实的装饰，摒弃繁杂的图像，使用简洁的颜色和线条，去繁化简，没有多重材料的堆砌——在理性逻辑下的减法加持后，家空间成为了主人生活的空白画布，空间也有了被收纳的可能。这样一来，目之所及，居室环境依然整体留白，窗外透入的自然景致也不会被室内多余线条打碎，得以完整进入室内。

To see the visual space to comb, remove the flashy adornment, abandon the complex image, use the concise color and line, to simplify, no multiple materials stack —— under rational logic subtraction blessing, home space became the master life blank canvas, space also has the possibility of receive. Come so, where the eye reaches, bedroom environment still whole leaves white, the natural scenery that penetrates outside the window also won't be broken by indoor redundant line, can enter indoor completely.

设计动线

Design moving line

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西厨与吧台是家人们的休憩区域，是在一日之晨激发神清气爽状态的充电站。而餐厅则是社交行为的发生地。社交早已成为当代城市生活的家庭生活的重要内容，当朋友欢聚，餐厅不止需要容纳主客，也要为厨师团队留出宽裕空间。以生活场景为原点思考，兼顾群居与独处，设计师希望，当家主人在此居住再长久，这里仍能适配一家人的各种状态。

The western kitchen and the bar are the rest areas for families, the charging station in the morning. Restaurants are where social behavior happens. Social networking has long been an important part of contemporary urban middle class family life. When friends gather together, the restaurant not only needs to accommodate the host and guest, but also needs to leave room for the chef team. With the life scene as the origin of thinking, give consideration to group living and solitude, the designer hopes, the master to live here for a long time, here still can adapt to the various states of the family.

轻盈空间

Light space

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构建居室平衡的过程实际是在各种材料、功能、气场等综合因素的搭配，在让人实际体验里，建立人与空间有机关系的过程。家是人对空间的长久体验，只有人与空间关系的复杂度被察觉和关切，居住的舒适才可以摆脱“昙花一现”，抵达一种长期的平衡状态

The process of building bedroom balance is actually in the collocation of comprehensive factors such as various materials, functions, aura, in the actual experience, the process of establishing the organic relationship between people and space. Home is people's long-term experience of space. Only when the complexity of the relationship between people and space is detected and concerned, can the comfort of living get rid of the "flash in the pan" and reach a long-term balance state

设计师是希望能够让人享受缓慢的居住时光，优化内外关系，吸引人走到自然之中，回归到身体与情感的体验之中，感受生命的本真之力。

The designer's expectation for the work is to make people enjoy the slow living time, optimize the internal and external relationship, attract people to go to the nature, return to the physical and emotional experience, and feel the true power of life.