定义重要吗

如果定义存在

那是一种静态，还是一种动态

△太阳酒店·水晶晶广场

Sun Hotel-Crystal Square Plaza

项目位于南浔南部新城最东端，总用地面积约331.5亩，总建筑面积约22万平方米，分为“太阳酒店”和“水晶晶广场”两个区块。

The project is located at the easternmost end of Nanxun South New Town, with a total land area of about 331.5 mu and a total construction area of about 220,000 square meters. It is divided into two blocks, "Sun Hotel" and "Crystal Crystal Plaza".

△手绘设计稿

设计灵感以“旭日东升，水绕新城”为主题，酒店外观呈球状，犹如一颗明珠镶嵌于晶晶水面，与四周的水景贯穿始终，在未知与已知之间表达时间和空间，毫无意外地汇聚了所有人的目光。

The design inspiration is based on the theme of "the rising sun, the water around the new city". The appearance of the hotel is spherical, like a pearl inlaid on the crystal water surface, running through the surrounding waterscape, expressing time and space between the unknown and the known, no surprise. Gather everyone's attention.

作为一座高98.7米、直径97.2米的五星级综合酒店，太阳酒店并不只是“徒有美貌”，而是集住宿、餐饮、娱乐、旅游等多功能一体的度假型酒店。

As a five-star comprehensive hotel with a height of 98.7 meters and a diameter of 97.2 meters, the Sun Hotel is not just "beautiful", but a resort hotel integrating accommodation, catering, entertainment, tourism and other functions.

△鸟瞰图

太阳酒店项目的建设，在勾勒城区的轮廓中添了浓墨重彩的一笔，不久后，这颗熠熠生辉的“太阳”，将在南浔大地冉冉升起。

The construction of the Sun Hotel project has added a strong touch to the outline of the city. Soon, this shining "sun" will rise in the land of Nanxun.

建筑的一半依赖于思维

另一半则源自于存在与精神

△钻石宫CRYSTAL PALACE

临桥对望的水晶晶广场则由20幢商业楼组成，集商业、餐饮、旅游观光、休闲娱乐、特色购物、风情演艺、文化展示等于一身，还将利用临漾优势创造华美水秀表演，打造开放表演空间，呈现豪华视听盛宴，以此提升游客体验。

The Crystal Square Plaza opposite the bridge is composed of 20 commercial buildings, integrating commerce, catering, tourism, leisure and entertainment, specialty shopping, style performances, and cultural exhibitions. It will also take advantage of Linyang to create gorgeous water show performances. Create an open performance space and present a luxurious audio-visual feast to enhance the visitor experience.

△南浔印象IMPRESSION OF NANXUN

无形而有意，我们希望人与建筑之间，在感性关联可以持续输出更多有价值的内容，寻找设计的无限可能。不确定性，模糊界限，享受与建筑无定义间的“暧昧”关系，似乎也反应了当下人与人之间的关系。

Intangible and intentional, we hope that the perceptual connection between people and architecture can continue to output more valuable content and find infinite possibilities for design. Uncertainty, blurred boundaries, and the "ambiguous" relationship between enjoyment and the indefinition of architecture also seem to reflect the current relationship between people.