在花园里的人，

比在地球上任何其他地方的人，

都更接近乌托邦。

——圣地亚哥·贝鲁埃特

People in the garden are closer to utopiathan

othersfrom anywhere else on the earth.

——Santiago Beruete

深圳南山科技园希尔顿花园酒店坐落在深圳高新技术产业园区，毗邻后海总部基地、深圳湾口岸、华侨城度假区等核心商务与休闲商圈，周边聚集了腾讯滨海大厦、百度国际大厦、阿里巴巴运营中心等互联网及高科技企业。

Hilton Garden InnShenzhen Nanshan Science and Technology Park is located intheShenzhen High-tech Industrial Park, adjacent to core business and leisure districtslikeHouhai Headquarters Base, Shenzhen Bay Port,andOverseas Chinese Town Resort. It isalsosurrounded byinternet companiessuch asTencent Binhai Building, Baidu International Building,andAlibaba Operation Center.

酒店共包含285间客房及公寓，于摩天高楼林立的城区中一览湾区城景，在密集CBD建筑和快节奏的都市生活中提供一处静谧优雅的栖息地。

The hotel includes 285 guest rooms and apartments, offering a panoramic view of the Bay Area in the urbandistrictof skyscrapers. Surrounded bythe CBD buildings and fast-paced urban life, the hotel provides a rather quiet and elegant place.

01

每座城市，

大概都想有场乌托邦之梦

无数寻梦者聚集在此，让深圳充满各种可能性。但置身一个加速前进，充斥着过度刺激的高压现代社会下，各大出行软件、外卖订单量的夜间数据均指向这座城市灯火长明的夜晚，人们长期处在连续加班和高负荷的状态下，思考着梦想与未来，也期待着出现一片乌托邦之域可作片刻的停歇整顿。

Countless dream-seekers being here makes Shenzhen full of possibilities. However, the nighttime data of software such as Uber and takeaway orders indicates the long night of this city. People are constantly working overtime and being overwhelmed for a long time. They think about dreams and the future but also look for a utopiawhere theycan pauseand rest for a moment.

△1899年 古斯塔夫·克林姆特在奥地利阿特湖画下《卡默城堡庭院平静的池塘》，这幅早期的画通过捕捉水中树木反射的光的方式给人以乌托邦式的静止、宁静，平稳的和谐与永恒感。

所有人类想象中或梦中的乌托邦之地，都无一例外地呈现出了花园的样子。花园让我们能够去梦想一个更美好的世界，《花园里的哲学》作者贝鲁埃特指出，这背后其实是秩序带来的虚幻的幸福，以及远离金钱压力和多舛命运、无优无虑去生活的梦想。有关乌托邦的文学作品，例如托马斯·莫尔的《乌托邦》，托马索·康帕内拉的《太阳城》和弗朗西斯·培根的《新大西岛》，也都以花园作为理想社会的布景和舞台。

Gardens appear in all utopian places in people’s dream.The garden allows us to dream of a better world. Beruete, the author of "The Philosophy in the Garden", pointed outthat the reason for this is the illusory happiness brought by order, and thedream offreedom from money pressure, bad luck, and worries. Literature about utopia, such as Thomas More's "Utopia", Tommaso Campanella's "The City of theSun", and Francis Bacon's "New Atlantis" all use the garden as the setting for an ideal society.

△1920年 克劳德·莫奈在他的工作室绘画《睡莲》系列。随着莫奈的水上花园修建完成，他第一次拿起画笔描绘花园里的睡莲，自那一刻，睡莲就成了莫奈晚年最重要的符号。

在艺术的变迁发展史中，花园是艺术永恒的画题。艺术家将花园当作情感抒发的源泉从而绘制出心中的乌托邦乐园，随着花园从画题背景到变成绘画的主题，艺术开始更加关注人的精神与这个世界内在上的联系，从宏大叙事逐渐转向日常。画家用画作展现出这世界的另一种模样，而观者也获得从平庸日常中抽离的心灵愉悦。

In the history of art development, the garden is the eternal theme of art. Artists usegardensas a source of emotional expression to draw a utopian paradise in theirminds. As the gardenbecomesthe theme of paintings,the connection between the human spirit and the world is more concentrated. The content of the art gradually changes from a grand narrative todaily life.Artistsusethe paintings to show another appearance of the world, and the viewers also obtainthe joy of being separatedfrom ordinary daily life.

如果说乌托邦把一个不存在的地方视为真实，那么花园则把一个真实空间变成一个梦中之地。业主在这片具备中国硅谷前瞻性精神的深圳高新技术产业园区选择了希尔顿花园品牌，恰好是一个相互的契机——借助酒店品牌的价值理念，试图在这片繁忙的CBD中构建一片幻土，为城市人繁忙的日常，留存一个美丽的梦境，感受自然的呼吸与时间的流淌。

If Utopia, a non-existing place, is regarded as a real place, then the garden is the place that turns reality into dreams. The owner choosing the Hilton Garden Inn in this high-tech industrial park in Shenzhen which has the forward-looking spirit of China's Silicon Valley, turns out to be a mutual opportunity. By the concept of the Hilton brand, we try to build a magical land in this busy CBD district to keep a beautiful dream for the busy urban people who can feel the breath of the nature and the flow of time.

结合品牌的角度来看，酒店像是城市里的一个美妙结界，不在于粗浅的说“屏蔽了城市的喧闹”，而是在城市繁华拥挤的流动间留存了一座秘密花园供以栖息，这是比完全隔绝更为令人惊喜的事。

From the perspective of the brand, the hotel is like a wonderful enchantment in the city. It is not a superficial statement of "shielding the noise of the city", but a secret garden from thebustling and crowded flow of the city, whichis moresurprisingthan complete isolation.

企图在城市里建造花园，利用感官带来心灵上的慰藉。现代城市的崛起迫使人们远离自然，花园成为了人们平和与美丽的微缩乌托邦。

We attempt to build gardens in cities and use the senses to bring spiritual comfort. The rise of modern cities forcespeople to distance themselves from nature.However, gardens become a miniature utopia of peace and beauty.

作为幻想与欢乐之地，它既向我们讲述了对过去曾实现的东西的怀念，也讲述了对未来也许永远无法实现的东西的期望。

As a place of fantasy and joy, the gardennarratesboth nostalgia for what has been achieved in the past and expectations for what may never be achieved in the future.

02

花园是世界上最小的一片区域，

却也是全世界

酒店设计从对花园的氛围捕捉提升到呈现一段弥漫着白花清新、草木暖意与土壤芬芳的感知，使得抽象的感官体验在城市语境中得以再现。

The designof the hotelhas improved from capturing the atmosphere of the garden to presenting a perception filled with freshness ofwhite flowers, warmth of vegetation and fragrance of soil, so that the abstract sensory experience can be reproduced in the urban context.

任何让我们感到摆脱了苦难和焦虑的空间，都可以通过一种感觉上的炼金术转变成花园。

Any space that frees us from misery and anxiety can be transformed into a garden through a sense of alchemy.

通过差异化的组合关系及组合形式渗透融合，将我们近乎忘却的自我内心需求和身体感受拉入故事线索中。

Through the infiltration and fusion of differentiatedcombination,theinner needs and physical feelings that we have almost forgotten are drawn into the story line.

人字型结构抽象出对花房的想象，营造了某种对美好的追求和对幸福的向往，唤醒内心的自然秘境。

The herringbone-shaped structure abstracts the imagination of thegreenhouse It createssome kind ofpursuit of beauty and happiness, and awakens the inner natural secretof the heart.

格栅稀释了光与物质，竖向平行线条作为介质模糊了物像的边缘，朦胧的视觉效应引发围绕光与影、实与虚之间的遐想。

The grid dilutes light andmatter. The vertical parallel lines serve as a medium to blur the edge of the object. The hazy visual effect triggers the reverie between light and shadow, reality and virtuality.

在花园哲学角度下，花园是小规模的，有限的、可控的微观宇宙，也是现实的一种象征性表现。

From the perspective of garden philosophy, a garden is a small-scale, limited and controllable microcosm, and it is also a symbolic representation of reality.

正如米歇尔·福柯所说：“花园是世界上最小的一片区域，却也是全世界。”

As Michel Foucault said: "The garden is the smallest area in the world, but it is also the whole world."

03

将大自然圈养起来，

成为一座自己的秘密花园

步入餐厅，犹如走进一座花园。走进餐厅温柔与浪漫的空间氛围中，触碰到那片清新的乌托邦幻境，脚下的柔软和鼻尖的香气陷在晨曦的风里。

Stepping into the restaurant is like walking into a garden. Walking into the gentle and romanticatmosphereof the restaurant,touchingthe fresh utopian fantasy,stepping on the softness, and immediately beingimmersed inthe morning breeze of the aroma at the tip of the nose.

茂密、湿润，积淀着的岁月蚀刻在餐厅的木材表面，叶片与枝条的生机与之形成反差融进一片盎绿里。时间慢慢的走，每一步的优雅和美感都映衬在光影里慢慢变化着。

Dense, wet, and accumulated years are etched into the wood surface of the restaurant. Thevitality of leaves and branches contrasts and melts into a lush green.Time is slowed down by the elegance and beauty of each step in the light and shadow.

花园将大自然圈养起来，编织着篱笆，剪去多余的枝端翻松新泥。人们将一小方自然圈养在内心深处，成为一座独属于自己的纯净平和的秘密花园。

The garden keeps nature in captivity.It weaves hedges, cuts off excess branches, and loosens new soil.People keep a smallareaof naturedeepin their hearts, which becomesa pure and peaceful secret gardenof their own.

酒店叙述着自然细腻的色彩、柔美的光线及丰富的肌理，经由时间流淌而过，在秩序中逐渐交融趋向统一，构建出一个提供心灵栖息和美好释然的空间，唤醒内心的情感共鸣。

The hotel narrates natural and delicate colors, soft light, and rich texture. Time flowing, all things gradually blend and tend to be as one. The hotel builds a space that provides spiritual habitation and beautiful relief, awakening the emotional resonance.

光线在不同方向的照射，塑造出平和且丰富的曲面质感，在自然的秩序下编织出亲密的氛围，人与建筑、自然在静谧的空间中让灵性生发。

The projection of the light in different directions creates a peaceful and abundant surface texture, weaving an intimate atmosphere under the natural order. People, architecture, and nature make inspiration burst in the quiet space.

细腻、内敛、专注，流转在酒店的各个角落和细节中，极简的表达陈述内在的丰盛，在宁静、低调、充满自然光线的轻逸氛围中，喧嚣和噪音归还于宁静，沉默使人回归自我。

Exquisiteness, restraint, andconcentrationcirculatein every corner and detail of the hotel.The conciseexpression tells the inner richness.In such a quiet, low-key, light-hearted atmosphere full of natural light that clamor and noiseconvertto tranquility, And silence brings people backto themselves.

04

在城市中人们总能看到影子，

在花园中我们才看见自己

大堂吧内部空间被外部低矮的植物与高处的楼宇围合圈出，与外部环境间隔开来。眼前是石阶嵌合成的小路，让人不由得放慢脚步随着窗外那道明媚拾级而上。

The interior space of the lobby is enclosed by theexteriorlow plants and the high buildings,separating itself from the external environment.A path made of stone steps makes people slow downinvoluntarilyand followthe lightoutside the window.

移步异景，迷离而平静的空间引发游览者混合的情绪，其中既有诗意的浪漫，又有对自然的感知和怀想。允许自己迷失在花园中，因为阅读一座花园不仅需要走过它，还需要去经历它的所有。

Stepping into a different scene, the blurred andpeacefulspace arouses the mixed emotions of visitors. Poetic romance mixes with perception and nostalgia for nature.Allow yourself to get lost in the garden, because reading a garden requires not only walking through it, but experiencing all of it.

每个人的心中都有一座属于自己的“花园”。莫奈的晚年沉迷在花园里的另一个世界，用了整整四十三年的岁月不断地打造和修整他的花园，寻找着对自然和自我的理解。他对自然的执着在画作中表现得淋漓尽致，画笔下的色彩犹如语言一般诉说着生命的魅力，每一个光影重叠，如梦似幻的著作都记录着他的人生。

Everyone has a "garden" in their heart. Monet was indulged in another world in the garden in his later years, who spent 43 years constantly building and renovating his garden, seeking an understanding of nature and himself. His dedication to nature is vividly shown in his paintings, where the colors under his brushes speak the charm of life-like words. His dreamlike works, with overlap between every light and shadow, record his life.

经历迷失，再与自己在最后相遇。过程中面对内心的焦虑和迷茫，探寻自己的局限，这一切在某一层面是一种心灵的成长和思想的升华，也是发现真实自我的途径。

Experience the lossfirst, and then meet yourself at the end. In the process, face anxiety and confusion, and explore one's own limitations. All of these are a kind of spiritual growth and thinking sublimationat a certain level and are also a way to discoverone’strue self.

酒店是对自然风景的情感投射，也是对自然秩序在空间中的理性思考。在四季层层堆叠的土壤年轮里，生命继而汲取养分周而复始。时间的流逝带着生命的厚重感扎根在深深的泥土里生发出新的芽，滋养出自我的花。

The hotel is an emotional projection of the natural scenery and a rational thinking of the natural order in space. In the soil rings stacked in layers of the four seasons, life then absorbs nutrients andcirclesagain and again. Thepassingof time takes root in the deep soil and produces new budswith the heavysenseof life, nourishing the flowers ofidentity.

试图向花园安放灵魂，踏上从自然到自我的追寻之旅，重新思考人与自然的关系，在喧嚣的现代生活中获得心灵的安宁。

Tryto place the soul in the garden,stepintoa journey from nature to self-pursuit, rethink the relationship betweenhuman beingsand nature, and obtaina peacefulmind in the bustle of modern life.

在城市中人们总能看到影子，在花园中我们才看见自己。

Peoplecanalways see the shadow in the city, butonlyin the garden can they see themselves.

05

在可以想象的地方

都能发生

花园自诞生以来便被称为“现实中的乌托邦”。它提供了一个现实的倒影，试图修正和弥补现实中的缺陷和局限。

The garden has been called "Utopia in Reality" since itsemergence. It provides a reflection of reality,tryingto correct and compensate for the flaws and limitations of reality.

在那里，它展现了完美社会乌托邦式的希望，呈现了园艺师与自然的终极美学，以及人们对美好生活的向往。

It shows the utopian hope of a perfect society, the ultimate aesthetics of gardeners and nature, and people's yearning for a better life.

如今我们的空间被切割整齐进高楼格子间里，对花园这种“自制自然”的渴求并没有消失。哪怕2平方米的阳台、荒弃的楼顶、停车场旁的荒地……花园在可以想象的地方都能发生。

Nowadays, our space is neatly cut into high-rise lattices,butthe desire for the "self-made nature" has not disappeared. Even in a balcony of 2 square meters, an abandoned roof, or a wasteland next to a parking lot,gardens can happen anywhere you can imagine.

Name｜项目名称：深圳南山科技园希尔顿花园酒店

Developer｜发展商：深圳嘉德酒店管理有限公司

Design unit｜设计单位：ADD加设计

Type｜项目类型：酒店

Location｜项目地址：深圳南山区

Completed time｜竣工时间：2021年6月

Chief designer｜主案设计：李想

Project Management｜项目管理：陈万镁 黄飞燕

Design team｜方案设计：廖江童 夏俏 郑晓枫吴镒锴

Design team｜软装设计：朱川平 陈永婷

Media Management｜传媒管理：郑华纯

Photography｜摄影：禾火火

加设计合伙人 | 陈万镁  李想  陈睿  朱川平

ABOUT 公司简介 -

加设计有限公司成立于2008年，公司业务范畴涵盖酒店空间、餐饮空间、豪宅等类型。提供国际化的建筑、室内、软式以及产品设计服务，致力于为大中华区及世界各地客户提供专业的一体化设计解决方案。加设计以国际化的视野，前卫的设计理念，前沿的技术工艺以及完善的项目控管模式为客户提供高质量的设计作品，以系统化的全产业链设计服务提升项目的产业价值。

ADDDESIGN Co., Ltd. was established in 2008, whose business scope covers hotel, restaurant, high-end mansion, etc. The company provides services of international architecture, interior and soft design, devoting itself to providing professional integrated design for customers home and abroad. ADDDESIGH provides high-quality design works for customers with international vision, advanced design concept, cutting-edge technology and mature project control mode and enhances the industrial value with systematic industrial chain design services.

加设计先后为10多个国际酒店管理集团，20多个国际品牌，100多家高品质酒店成功提供了室内设计及顾问服务，充分得到了希尔顿，文华东方，温德姆，洲际，太古地产，保利地产等国际品牌集团的高度认可。

ADDDESIGN has successfully provided interior design and consulting services for more than 10 international hotel management groups, more than 20 international brands and more than 100 high-quality hotels, highly recognized by such international brand groups as Hilton, Mandarin Oriental, Wyndham, InterContinental, Swire Properties, Poly Real Estate.

CHIEF DESIGNER 设计主创 -

李想 I Shaun Lee

李想先生，加设计有限公司联合创始人及设计总监。擅长将物理环境转变为感官体验，在人、空间、物质之间建立情感联系。对每个项目都保持好奇心，在文化、艺术、美学之间寻找可能性，突破固有格局，打造完整、永恒的空间。李想先生先后为希尔顿，文华东方，洲际，温德姆，丽笙，锦江等10多个国际酒店管理集团旗下的20多个国际品牌提供设计服务，帮助众多项目获得独一无二的空间体验。并带领团队在众多国际奖项中屡获殊荣，享有盛誉。

Shaun Lee, founder and design director of ADDDESIGN, is good at transforming physical environment into a sensory experience and establishing emotional connections between people, space and substance. He maintains high curiosity for each project, seeks for possibility between culture, art, and aesthetics, breaking through the inherent patterns and creating a complete and eternal space. Shaun Lee has provided design services for more than 20 international brands under the umbrella of more than 10 international hotel management groups like Hilton, Mandarin Oriental, InterContinental, Wyndham, Radisson, Jinjiang, etc., helping many projects to achieve a unique space experience. He has won numerous international awards with the team led by himself and enjoyed high reputation.

AWARDS 奖项荣誉 -

公司设计完成的商业项目分布在全国的几十个主要城市，如：北京、上海、深圳、广州、三亚、成都、武汉、海口、长沙等地，作品在全球各大权威设计大奖中屡获殊荣。

The commercial projects designed by ADDDESIGN are distributed in dozens of major cities across the country, such as Beijing, Shanghai, Shenzhen, Guangzhou, Sanya, Chengdu, Wuhan, Haikou, Changsha, etc. The works have won numerous awards in the world's leading authoritative design awards.