-前言-

边界的消隐，

空间的双重性。

在东方哲学中，“域”既是一种边界，亦是一种庇护；既是对无限的拒斥，亦是对深度的邀请。当代设计面临的核心命题之一，正是在日益逼仄的城市肌理中，如何让有限的空间承载超越其物理边界的意蕴。最新作品正是一场关于“有限之域，栖意无限”的空间实验。

In Eastern philosophy, "domain" is both a boundary and a shelter; it is both a rejection of the infinite and an invitation to depth. One of the core issues faced by contemporary design is how to enable limited spaces to carry the connotations that exceed their physical boundaries within the increasingly cramped urban fabric. The latest work is precisely a spatial experiment about "the domain of limitation, hosting the essence of the infinite".

真正的栖居，从来不是占有空间，而是在空间中，找回与无限相连的那个自己。空间的边界从不由物理尺度定义，当设计以文化为骨、以意境为魂，便能源源不断地在有限维度中，生长出超越形态的无限可能。

True dwelling is never about occupying space; rather, it is about finding oneself that is connected to the infinite within that space. The boundaries of space are never defined by physical measurements. When design is based on culture as its foundation and artistic conception as its soul, it can continuously generate infinite possibilities beyond form within the limited dimensions.

最好的设计不是征服空间的战役，而是邀请居住者与空间共舞的诗篇。在这共舞中，有限的脚步可以踏出无限的旋律，有形的墙壁可以围合无形的天地。

The best design is not a battle to conquer space, but a poem that invites the occupants to dance with the space. In this dance, limited steps can create infinite melodies, and tangible walls can enclose intangible realms.

和谐的变化，正鼓励空间写出独特的诗性。设计师试图在原本敞阔的空间内，重新构成一个基于生活需求但是超越生活功能的有层次的精神空间。

真正的“栖意无限”必须包含时间的维度。这正是我们的设计语言——有限之域，通过边界的精心设计，不是向外扩张，而是向内深化，直至触及无限。

Harmonious changes are encouraging the space to write unique poetic expressions. The designer attempts to restructure a layered spiritual space within the originally spacious environment, one that is based on the needs of life but goes beyond the functional aspects of life.

The true "eternal habitation" must incorporate the dimension of time. This is precisely our design language - the domain of limitations, through the meticulous design of boundaries, not expanding outward but deepening inward until it reaches the infinite.

意境的叠合

Imagery fusion

“我仿佛不是在参观一个空间，而是在阅读一首关于时间的长诗。”

It seems as if I am not visiting a space, but rather reading a long poem about time.

空间的层次感，往往藏在材质的细节里，它像一首交响乐，主材质要像乐队的主唱，占据视觉中心，辅助材质要像和声，既不抢戏又能丰富层次，点缀材质要像彩蛋，藏在角落里等你去发现。

The sense of spatial hierarchy is often hidden in the details of the materials. It is like a symphony, where the main material should be like the lead singer of the band, occupying the visual center, the auxiliary materials should be like the harmony, neither competing for attention but enriching the layers, and the embellishing materials should be like the hidden treasures, hidden in corners waiting for you to discover.

人们在空间中不断迁移，寻找与当日心境契合的角落。这正是“栖意无限”的核心——不是空间本身无限，而是它激发了居住者内心的无限可能。

People constantly move around in space, seeking out the corners that resonate with their current mood. This is the core of "Living with Infinite Intentions" - it's not the space itself that is infinite, but rather it awakens the infinite possibilities within the occupants' hearts.

艺术超越时光，打造出融合力量，这里有自然元素，也有着个性化和审美。和谐温馨的场景，就是理想生活的展现，打造出平衡感后，内心也趋于平静。

Art transcends time, creating a blend of power. Here, there are natural elements as well as individuality and aesthetics. The harmonious and cozy scenes are the manifestation of an ideal life. After creating a sense of balance, the inner self also tends to become calm.

在资源日益有限的时代，扩张式的设计思维已难以为继。未来的设计智慧，将更多地体现在如何深化而非拓宽，如何浓缩而非扩张。“有限之域，栖意无限”不是一种妥协，而是一种更深刻的设计哲学：承认物质的有限性，正是为了解放精神的无限性。

有限之域，从来不是束缚，而是让意趣生长的土壤。当设计读懂了空间的灵魂，便能用方寸之地，承载万千气象，让每一次栖居，都成为与无限意趣的相遇。

In an era where resources are increasingly scarce, the expansionist design thinking is no longer sustainable. The future design wisdom will be more reflected in how to deepen rather than broaden, and how to condense rather than expand. "The limited domain harbors the infinite spirit" is not a compromise, but a more profound design philosophy: acknowledging the finiteness of matter is precisely to liberate the infiniteness of the spirit.

The limited space is never a constraint; rather, it is the fertile ground for the growth of interests. When design understands the soul of the space, it can use a small area to accommodate a myriad of atmospheres, making each stay a meeting with boundless interests.

项目信息

Inform ation

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项目地址  |  中国·武汉·绿城诚园

项目面积  | 250 ㎡

项目出品  |  上作空间

项目设计  |  李冉

空间类型  | 住宅设计服务

项目摄影  |  TT

品牌服务  |  武汉再意思

公司简介

上作空间2017年成立于武汉，由一群热爱设计的青年设计团队组成，13年室内设计经验背景，服务于全国建筑、商业、私宅定制化设计，为客户提供先锋、多维、落地的全案设计服务。同时致力于品牌定位，企业多维度结合设计的商业策划服务。

上作，“从根基处上溯，于构筑中作新”。设计以人为尺度，从传统、自然中汲取能量，重构建筑、室内一体化逻辑，为使用者创造实用、美学一体的空间设计。

Shangzuo Space was established in Wuhan in 2017. It is composed of a group of young design teams passionate about design. With 13 years of experience in interior design, it provides customized design services for buildings, commercial Spaces, and private residences across the country, offering clients avant-garde, multi-dimensional, and practical full-case design services. At the same time, we are committed to providing business planning services that integrate brand positioning and multi-dimensional design for enterprises.

"From the foundation, we trace back; in the process of construction, we create something new." The design takes human scale, draws energy from tradition and nature, reconstructs the integrated logic of architecture and interior, and creates a space design that combines practicality and aesthetics for users.