元太新作 | 世茂·玉锦湾

「世茂·玉锦湾」| 私宅 | 2017
室内设计早已进入了一个风格弱化的环境,所以我们不轻易说风格。
用线条、结构,用水泥、木质,用黑、白、灰辅以木色,而风格的定义由你来说。
Interior design has entered into a style-weakening environment, so we don't talk about STYLE easily.
We use lines, structure, with cement, wood, and with black, white, grey and wood color. The definition of STYLE is up to you.
Project Information
Designer in Charge: Joey Xiang
Location: Chengdu, Sichuan
Area: 209 sqm
Project Year: 2017
Photographer: @HB



对比商业设计,私宅设计总是带来更大的挑战,但相应最后也会呈现出更加令人兴奋的效果。
我们在意布局、结构、比例。
用合理的动线、结构之美和完美的比例提供给居住者一个宜居的环境。
Comparing with commercial design, residential design always brings a bigger challenge, but the corresponding also can present a more exciting effect.
We care about layout, structure, scale.
With reasonable lines, beauty of structure, and perfect scale, we can provide a livable environment to the resident.




我们揣摩材质、灯光、效果。
不同材质的碰撞使用不同的收口方式和分缝效果,不同功能空间放置不同色温的灯光,于是空间也被赋予了可沉默,可傲慢,也可私语的属性。
We consider material, lighting, effect.
Collision of different materials has different way to close up and parting, lighting of different color temperature shoud be placed in different functional space. Therefore, silence, arrogance and whisper could be endowed to the space.




我们克制地考虑色彩的搭配。
不同材质对应不同颜色,而颜色关乎审美。繁复热烈的配色,用对了是大胆,过犹不及那就是灾难。
而我们要让对的色彩待在对的空间里。
We restrainedly consider the color collocation.
Different material refers to different color, and color refers to aesthetic. Heavy and strong color collocation could bring boldness and disaster.
But we want to make right color stay in right space.


“我们也受制于沉默,枯井的傲慢,沙与沙漫长的私语。”by埃德蒙·雅贝斯
我们所做的设计,便是在“受制”的空间里,让灵感的表达突破限制。
"We are subject to the silence, arrogance of dry well, long whisper from dust to sand." by Edmond Jabès
The design we do, is to make expression of inspiration break through the limit in the limited space.


