RONG OMAKASE

“荣”板前料理餐厅

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从电影《银翼杀手》和《沙丘》中汲取灵感，致敬导演Ridleyscott 于影片中极力营造的空间维度与氛围表达，将感官所得的震撼与共鸣注入餐厅，借由建筑的挑空尺度、光效的延伸美感、材质的多重赋能，融汇出神学丰盈的基调。

Drawing inspiration from the films Blade Runner and Dune, I pay tribute to the spatial dimension and atmosphere expression that director Ridleyscott has tried to create in the film, injecting the shock and resonance obtained from the senses into the restaurant, and integrating the rich tone of theology through the spatial scale of the building, the extended beauty of light effect and the multiple empowerment of materials.

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分布三个板前区域，所有幕后工作的区域都有统一的一条动线，客人与板前师父工作的位置是完全分开的，并且不同板前位置也由包厢隔开，充分考虑了客人用餐时的隐私需求与庄重体验。

Distributed in three areas in front of the board, all the areas working behind the scenes have a unified moving line, the position of the guests and the front of the board master is completely separate, and the different positions in front of the board are also separated by the box, fully considering the privacy needs and solemn experience of the guests when dining.

勾勒几何线条，以浅调饰面强化空间的结构感，借深调饰面与暖光展开温柔导引，空间温度攀升，令来客周身的拘谨感渐渐散去。根据人的目视水平线设置发光半球体，运用散点布置输出灵动、跳跃的节奏，枯笔书法仅显一半，以不完整之美深化品牌印象。

Outline geometric lines, with light tone finish to strengthen the sense of structure of the space, by deep tone finish and warm light to gently guide, the space temperature rises, so that guests around the sense of constraint gradually dispersed. According to the visual level of the human set up luminous hemispheres, the use of scatter layout output smart, jumping rhythm, dry pen calligraphy is only half, deepening the brand impression with incomplete beauty.

切割房梁，塑造光影层次，穿插形体，营造镂空美感，捕捉天光能量，于黑暗之中唱诵“神”意，辅以人造光源，用笔直光带通天、接地、融人。端点的三角元素，伴随水波倒映生动视像，拟态海平面上的日出日落，暗喻生命的轮回与时光的循环。

Cutting the beam, shaping the light and shadow level, interspersing the form, creating the hollow beauty, capturing the sky energy, chanting "God" in the dark, supplemented by artificial light source, using straight light belt to connect to the sky, ground, melt people. The triangular element of the end, accompanied by water waves, reflects the vivid vision, mimics the sunrise and sunset on the sea level, and implies the cycle of life and the cycle of time.

整体采用智能灯光调控技术，营造神秘、崇高、宁和、灵性的光感，依照每日的昼长与采光的强弱，呈现各个区域细腻且可控的智能光效，达成人造光源辅助自然光源，又能突破自然光源的效果，融合梦幻遐想，于空间一隅匠造恢宏意境。

The overall use of intelligent lighting control technology, to create a mysterious, lofty, peaceful, spiritual sense of light, according to the daily day length and the strength of the lighting, present a delicate and controllable intelligent light effect in each area, to achieve artificial light source auxiliary natural light source, but also break through the effect of natural light source, integration of fantasy, in the space corner of the artisan to create a grand mood.

对称，始于镜像反射，用于空间过道起延伸、串联视觉的效果，以冷光对应暖光调节视觉温感，亦是提示区域异同的巧思。嵌入式几何造型宛若磐石，隐喻盘古开天的神话。经多重处理的镜像反射，模糊了时空边界。

Symmetry, starting from mirror reflection, is used to extend the space aisle and series the visual effect, adjust the visual temperature with cold light corresponding to warm light, and is also a clever idea to suggest the differences and similarities in the region. The embedded geometry is like a rock, a metaphor for the myth of Pangu. The multiprocessed mirror reflection blurs the space-time boundary.

体块居中稳定空间核心，横竖线条一长一短，交织出宇宙经纬，联通天地，以圆结尾，糅合人、物、境的关系，以正在发光的三角形象征三维世界，它们彼此渗透，绽放图腾般的敬仰与崇拜。

The block is in the center of the stable space core, and the horizontal and vertical lines are long and short, interweaving the cosmic longitude and longitude, connecting heaven and earth, ending in a circle, combining the relationship between people, things and environment, and symbolizing the three-dimensional world with a luminous triangle, which penetrates each other and blossoms totem-like respect and worship.

采用以大带小的布局形式，构成三处板前区域，工作区的动线独立存在，创造来客与板前师父互不干扰却能轻松沟通的体验。

Adopting a layout of large and small, it forms three front panel areas, with independent movement lines in the work area, creating an experience where guests and front panel masters can communicate easily without interfering with each other.

位居中心的大厅，在天花部分开凿出三角形，用暖光勾边，以顶角指向另一域，彰显满盈的神性氛围。

The hall located in the center is carved with a triangle in the ceiling, with warm light ticking the edges, and the top corner pointing towards another domain, showcasing a full and divine atmosphere.

大厅省略垂吊装饰，烘托整体的空灵气质，将功能性贴合地面与侧面，让各式各样的酒品分格展示，留下小巧有趣的瓶身剪影，传递包装艺术的格调与审美。保持大范围的暗光氛围，渲染渐变光晕，如火如诗，带人远离喧嚣，沉浸当下。

The hall omits the hanging decoration, sets off the overall ethereal temperament, fits the function on the ground and side, lets a variety of wine products be displayed, leaves a small and interesting silhouette of the bottle body, and conveys the style and aesthetic of the packaging art. Maintain a wide range of dark light atmosphere, render gradual halo, like fire and poetry, take people away from the noise, immersed in the moment.

反光材质散发着清冽的气息，更显暖光的温馨与柔情，拓宽视觉尺度，增添圆形光效的虚实意趣，由深入浅，从前及里，完成转折空间的电影叙事。编织隔断，以精细工艺与素朴质感为载体，透露部分场景的奥秘。

Reflective material exudes a crisp breath, more warmth and tenderness of warm light, broadens the visual scale, adds the virtual and real interest of circular light effect, and completes the film narrative of turning space from deep and shallow, from the past and inside. The woven partition, with fine craft and simple texture as the carrier, reveals the mystery of part of the scene.

木质纹理，深浅融融，毫无做作姿态，只以纯粹的自然调性中和柔淡之光，照亮步履行径。规整体块结合切角形态，呼应房梁，悬于侧旁，引导一排座椅顺势而落，一束光线随形而流，分享浪漫灵性的诗境。

Wood texture, deep and shallow, no artificial posture, only with pure natural tone and soft light, light up the walk. The overall block is combined with the angular shape, echoing the beam of the house, hanging on the side, guiding a row of seats to fall, a beam of light flows with the shape, sharing the poetic environment of romance and spirituality.

保持中性，方得真相，反光饰面受暖融温度的感召，展现出黄铜般的复古气质，连接四周的舒缓之韵，向棱角界限注入情绪，塑造过道的流通感与层次性。屏蔽刺眼的强光，聚焦底部的光晕，再次彰显剪影的雅趣。

Keep neutral, square to the truth, reflective finish by the warm melting temperature inspired, showing a brass-like retro temperament, connecting the soothing rhyme around, inject emotions into the edge boundary, shaping the flow of the aisle and layer. Shield the harsh light, focus on the bottom halo, and highlight the elegance of the silhouette again.

《银翼杀手》和《沙丘》中空间与氛围所带来的感官刺激是独特的，设计截取并优化了这样的心理历程，展露人造光源与自然光源相辅相成的智慧。打造U型台面，拼合基础结构，通过划分内外的形式，提升服务的效率与舒适的体验。

The sensory stimulation of space and atmosphere in Blade Runner and Dune is unique, and the design captures and optimizes this psychological process, revealing the wisdom of artificial light and natural light. Create a U-shaped table, integrate the basic structure, and enhance the efficiency and comfortable experience of service by dividing the form inside and outside.

电影的感受被拆分、重塑、交织在餐饮空间内，完整色块之中藏有更丰富的肌理，从一定程度上辩证了神性的存在。沿用编织手法，融合图纹创意，打造独一无二的推拉隔断，增添空间的灵气。

The feeling of the film is split, reshaped and interwoven in the dining space, and the complete color block contains a richer texture, which dialectical the existence of divinity to a certain extent. Follow the weaving technique, integrate the pattern creativity, create a unique push and pull partition, add the aura of space.

电影叙事的打光手法投射于小板前，隔绝了现实纷扰，让触感与观感、嗅觉与听觉启动本能，赋予就餐时光多元享受，传达了“美食如若是宗教信仰，置身空间享用美食的我们便是美食信徒”的设计理念。

The lighting technique of the film narrative is projected in front of the small board, isolating the reality, enabling the touch and sensation, smell and hearing to activate the instinct, giving the dining time multiple enjoyment, conveying the design concept of "If food is a religious belief, we who enjoy food in the space are food believers".

光，透过孔洞拟态浩瀚星际，促成小板前的专属亮点，梦幻如歌，温柔如水，暗喻神学色彩，并且在无声中形成了更有机的互动，整个用餐体验拉满，引领人的思绪、感情、灵魂摆渡至空间深处。

The light, through the hole mimics the vast star, contributes to the exclusive bright spot in front of the small board, dreamlike song, gentle like water, metaphor of theological color, and forms a more organic interaction in silence, the whole dining experience is full, leading people's thoughts, feelings, and soul ferry to the depths of space.

开放场域与私密场域清晰分隔，各具特色，用新鲜体验连接美食与它的信徒。包厢，隔开了不同板前，围合一方静地，保障客人用餐的隐私，用二维线条塑造三维深度，装点对称顶端，传递着秩序之美与庄重气韵。

The open and private fields are clearly separated, each with its own characteristics, connecting the food with its devotees with fresh experiences. The box, separated from the different boards, surrounds a square quiet place to ensure the privacy of guests' dining, uses two-dimensional lines to shape three-dimensional depth, decorates the symmetrical top, and conveys the beauty of order and solemn charm.

以线勾形，携光起律，预留宽阔的前景空间，便于疏导来往的人。即使是一点一面的装饰笔法，显露出公卫的具体隔间。星星点点的光，徘徊在安宁静谧中，既引人探究，又表达了视觉节奏的重要性。

With line hook shape, carrying light law, reserving a wide foreground space, easy to channel people. Even a bit of decorative brush on one side reveals the specific compartments of the public health. The dots of light, hovering in the tranquillity and tranquility, both invite exploration and express the importance of visual rhythm.

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陈浩鹏(深圳)室内设计有限公司

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[链接]HPD新作 | 光益木地板展厅·衡

ChenHaoPeng Interior Design Leader

陈浩鹏   设计总监

Education 教育

环境艺术设计学士学位

Personal honors and Awards 个人荣誉与奖项

2022年 台湾金邸奖 餐饮空间 优胜奖

2022年 CIID中国室内设计大奖赛 银奖

2022年 中国美好家居图鉴

2022年 芬兰ARCH Design Award 银奖

2022年 2022年度青年设计师WZDY TOP100

2022年 GPR中意国际设计金指奖 优胜奖

2022年 红棉设计奖

2021年 第十一届国际空间设计大奖 艾特奖 入围奖

2021年 美国MUSE DESIGN  金奖

2021年 IPDA日本国际先锋设计大赛 银奖

2021年 中国深圳室内设计2021年度原创室内设计师

2021年 中国深圳室内设计最具创新活力设计机构

2020年 深圳EDA设计精英大赛 银奖

2020年 粤港澳大湾区设计100 10大公寓

2020年 中国CBDA设计奖行业设计创新人物

2020年 中国CBDA设计奖银奖

2020年 中国CBDA设计奖铜奖

由陈浩鹏先生于2017年创立，专注于室内空间的设计与研究，致力于商业空间、文化精品酒店、地产营销会所、办公空间、高端私人住宅等。HPD追求创新，不断完善团队，为客户提供完整、直接、有效的室内设计咨询服务和软装解决方案。

Chen Haopeng (Shenzhen) Interior Design Co., Ltd

Founded in 2017 by Mr. Chen Haopeng, it focuses on the design and research of interior space, committed to commercial space, cultural boutique hotels, real estate marketing clubs, office space, high-end private homes, etc.   HPD pursues innovation, constantly improves the team, and provides clients with complete and direct effective interior design consulting services and soft decoration solutions.